![]() Better still, while most superzooms compromise image quality in favor of a big zoom factor, the Panasonic delivers very good sharpness and contrast throughout its entire zoom range, even when shooting wide-open. Unlike similar lenses for full-frame cameras, it’s wonderfully compact and lightweight, yet retains optical image stabilization that’s commonly found in superzooms. The Panasonic Lumix G Vario 14-140mm f/3.5-5.6 II ASPH Power OIS has a powerful 10x zoom range and an effective 28-280mm focal length. Superzooms are also useful when you need to react quickly to different shooting scenarios, or you don’t want to swap lenses on your camera in dusty conditions. Superzoom lenses are often favored for travel photography, as you get everything from pretty generous wide-angle coverage to long telephoto reach, without the need to carry multiple lenses. ![]() Read our full Panasonic Leica DG Nocticron 42.5mm f1.2 Asph Power OIS review (opens in new tab)Īperture shrinks to f/5.6 at longer zoom settings It’s seriously expensive but, then again, Canon’s 85mm f/1.2 full-frame ‘portrait’ lens is getting on for twice the price. For portraiture on MFT cameras, this is the best lens that money can buy. And for when you want to use narrower apertures, there’s also optical stabilization, which is almost unheard of in f/1.2 lenses. This lens fights back with a super-fast f/1.2 aperture rating, which helps to reduce the depth of field and give soft, creamy background blur in portraiture, as well as enabling fast shutter speeds even under dull lighting. The flip side is that, because depth of field is linked more closely to ‘actual’ rather than ‘effective’ focal length, the MFT system struggles to give a really tight depth of field, compared with full-frame and even APS-C systems. The 2x crop factor gives the lens an effective focal length of 85mm which is perfect for portrait photography. It has a well-damped, smooth-action focus ring and useful aperture ring, both of which boost the overall handling characteristics. The Leica Nocticron legend is reborn for the MFT format in this metal-bodied beauty of a lens. So let's get to the lenses! Best Micro Four Thirds lenses for Panasonic Most will provide super-fast autofocus performance and many have silent focusing action, which is great for video. They're mostly compact enough to take everywhere, but also incredibly sharp and capable of capturing excellent levels of detail. Small and sharp, Micro Four Thirds lenses are hugely impressive. Best Micro Four thirds cameras (opens in new tab).Best Olympus cameras (OM System) (opens in new tab).The best Panasonic cameras (opens in new tab).This is especially appealing to anyone who is travelling or can't/ doesn't want to carry much weight. By effectively doubling the focal length, you can shoot super-telephoto distances without having a lens that is really big and heavy. Don't worry if you have no idea what this means, you just need to remember that if you buy a lens for a Micro Four Thirds camera such as a 12-60mm lens, it will actually look like you are shooting on a 24-120mm lens if you were using a full-frame camera. One of the advantages of shooting Micro Four Thirds is that the lenses have a 2x crop factor.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |